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The first in a series devoted to the clavichord which explores the evidence that in the household of Bach, Handel, Haydn and Beethoven it was the instrument of first choice. Much of their music was written for private enjoyment rather than for audiences.
"Christopher Hogwood’s incisive mind regularly leads to strong and imaginative concepts and this [...] is a perfect example."
(Jonathan Freeman-Attwood for Gramophone)
"Christopher Hogwood’s incisive mind regularly leads to strong and imaginative concepts and this [...] is a perfect example."
(Jonathan Freeman-Attwood for Gramophone)
