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- Bach: Violin Concerto in D Minor, Brandenburg Concerto No. 2 - Zelenka: Sinfonia in A Minor
Bach: Violin Concerto in D Minor, Brandenburg Concerto No. 2 - Zelenka: Sinfonia in A Minor
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Bach: Violin Concerto in D Minor, Brandenburg Concerto No. 2 & Zalenka: Sinfonia in A Minor
Bach: Violin Concerto in D Minor, Brandenburg Concerto No. 2 & Zalenka: Sinfonia in A Minor
Johann Sebastian Bach & Jan Dismas Zelenka
Label: Metronome Recordings Ltd
Catalogue No: METCD 1019
Discs: 1
Label: Metronome Recordings Ltd
Catalogue No: METCD 1019
Discs: 1
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Directed by Penelope Rapson, with Kerstin Linder-Dewan playing the violin.
A new reconstruction of Bach's last Violin Concerto in D minor, with a rare recording of Zelenka's Sinfonia.
"For her new violin version of Bach's D minor Concerto Kerstin Linder-Dewan has attempted to emulate the idiomatic figuration of Bach's presumed original concept. Her musical text serves the work well and this invigorating recording is particularly impressive for her relaxed virtuosity and articulated rhythmic playing, her skilful appreciation of the harmonic complexities and conceits of Bach's art and her supple view of the work overall [...] Zelenka's A minor Sinfonia, whose brilliant Vivaldian movement and Bohemian central Capriccio and final Menuetto's are eloquently performed, and whose sonorous bassoon-cello duet in the Aria da capriccio is a sheer delight."
(Robin Stowell for The Strad, June 1998)
A new reconstruction of Bach's last Violin Concerto in D minor, with a rare recording of Zelenka's Sinfonia.
"For her new violin version of Bach's D minor Concerto Kerstin Linder-Dewan has attempted to emulate the idiomatic figuration of Bach's presumed original concept. Her musical text serves the work well and this invigorating recording is particularly impressive for her relaxed virtuosity and articulated rhythmic playing, her skilful appreciation of the harmonic complexities and conceits of Bach's art and her supple view of the work overall [...] Zelenka's A minor Sinfonia, whose brilliant Vivaldian movement and Bohemian central Capriccio and final Menuetto's are eloquently performed, and whose sonorous bassoon-cello duet in the Aria da capriccio is a sheer delight."
(Robin Stowell for The Strad, June 1998)